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Critical essay of the phantom of the opera 2004
Critical essay of the phantom of the opera 2004









critical essay of the phantom of the opera 2004

Christine recognizes him from her childhood. Raoul is introduced to the cast as the patron.

critical essay of the phantom of the opera 2004

Madame Giry the ballet mistress and the mother of Meg Giry, introduces them to Christine Daaé, a young but talented singer who was orphaned at seven, being the only daughter of the Swedish violinist, Gustave Daaé, revealed later by Madame Giry. As the auctioneers display the restored chandelier, which illuminates and slowly rises to its old place in the rafters the opening crescendo of music wipes away the years of decay and dust from the opera house as the black and white turns into color, and is transported back in time to 1870 ("Overture").ĭuring a show rehearsal, the opera house is put into the hands of two new owners, Richard Firmin and Gilles André. The next piece, lot 666: is a chandelier in pieces which has been restored and newly wired with electricity. During the auction, he sees a familiar face Madame Giry, whom he met as a young man ("Prologue"). Raoul De Chagny, an old wheelchair-bound man, purchases a coveted music box in a shape of a monkey in Persian robes and playing cymbals. The dilapidated Paris Opera House holds an auction. The scene opens in black and white in the year 1919.











Critical essay of the phantom of the opera 2004